Pastilles Poncelet (Framed)

$54.95
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Product Detail
  • Overall: 16" H x 13" W x 0.75" D
  • Overall Product Weight: 2.5lb.
  • Material: Glass
  • High quality print on heavy paper
  • Printed with vibrant, color-fast inks
  • Framed in a contemporary style molding; available in black, gold, and white
  • Sawtooth hanger
  • Unmatted
About the Artist

Born in Paris to a poor but creative family of artisans, Jules Chret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the cole Nationale de Dessin. Like most other fledgling artists, Chret studied the techniques of various artists, past and present, by visiting Paris museums.From 1859 to 1866, he was trained in lithography in London, England, where he was strongly influenced by the British approach to poster design and printing. On returning to France, Chret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Bergres, Thtre de l'Opra, the Alcazar d't and the Moulin Rouge. His works were influenced by the scenes of frivolity depicted in the works of Rococo artists such as Jean-Honor Fragonard and Antoine Watteau. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list.As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the "father of the women's liberation." Females had previously been depicted in art as prostitutes or puritans. The women of Chret's posters, joyous, elegant and lively'Cherettes', as they were popularly calledwere neither. It was freeing for the women of Paris, and heralded a noticeably more open atmosphere in Paris where women were able to engage in formerly taboo activities, such as wearing low-cut bodices and smoking in public. These 'Cherettes' were widely seen and recognised, and a writer of the time said "It is difficult to conceive of Paris without its 'Cherts' (sic)."In 1895, Chret created the Matres de l'Affiche collection, a significant art publication of smaller sized reproductions featuring the best works of ninety-seven Parisian artists. His success inspired an industry that saw the emergence of a new generation of poster designers and painters such as Charles Gesmar and Henri de Toulouse-Lautrec. One of his students was Georges de Feure.In his old age Jules Chret retired to the pleasant climate of the French Riviera at Nice. He died in 1932 at the age of ninety-six and was interred in the Cimetire Saint-Vincent in the Montmartre Quarter of Paris.He was awarded the Lgion d'honneur by the French Government in 1890 for his outstanding contributions to the graphic arts. Although his paintings earned him a certain respect, it was his work creating advertising posters, taken on just to pay his bills but eventually his dedication, for which he is remembered today.
Weight (lbs.):5
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